The Six Stages of Custom Pet Portrait Creation
- Alessandra Amato
- Aug 4
- 3 min read
Updated: 22 hours ago
This post gives you a peek "behind the scenes" of the various steps that go into creating my custom watercolor pet portraits.
Stage 1: Selecting the right reference photo.
The success of any pet portrait is largely dependent on the quality of the photograph. The photo below has good lighting and some sharp detail on the face. It also has a really "blah" background, and some unattractive and awkward areas "down below." Interestingly, it's so bland that it almost looks like a black and white photo. Not to worry, though, and from mid-body upward, we have good raw material to work with.

Stage 2: Constructing a cohesive color palette.
The next phase is decision-making regarding what the overall color palette will be. I test various pigments out on scraps of watercolor paper to decide what will be cohesive and lively. There are so many beautiful colors in the world of watercolor, but I keep my colors fairly limited for each painting, which makes the end result much more harmonious. And if I decide I don't like my initial color selections, I make other tests.
Stage 3: Preliminary drawing
I then make the preliminary pencil drawing. I submit these to my clients for approval before going on to the next stage.

Stage 4: Creating layers
I often lay in a background layer first, and then I move on to the eyes before starting a base layer of fur.

Stage 5: Finish layers
Depending on the pet and it's fur, I might have to do several layers to get it just right. (I find that the curly haired doggies always take me the most time!) You can see in the finished painting below that I've created a nice glow, which really sets off this dog's black and white coloring. It's a far cry from the blah photo I began with, and it will look really pretty on the wall.
Stage 6: Mounting and sealing
Most people choose to have me mount the painting rather than getting it matted behind glass. The finished painting is permanently affixed to a 3-D wooden "museum" panel and coated with several layers of protective sealant.
I exclusively use lightfast pigments, so there is no risk of fading over time.



